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Working together to improve local arts
How the Plymouth Visual Arts Consortium is developing the arts sector in the southwest.
From maker to manager
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Becoming a creative social entrepreneur
How the Devon School for Social Entrepreneurs is helping creative businesses.
All fired up: A career in ceramics
Potter Nic Harrison discusses old and new challenges in his craft.
A career in carnival
Carnival artists and teachers on learning varied skills
My music business mentor
Two performing artists talk about their mentoring relationship.
Developing Leicester's performing arts leaders
How one city is helping emerging cultural leaders.
Queen Bee: Organising the Pestival arts festival
Getting a large-scale science arts festival off the ground.
Doodling in a digital world
How artists and designers can embrace new technology.
Music, heritage and cultural social responsibility
How mixing archive films and composing new music brings communities together.
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Modern miniature painters discuss their struggle for acceptance in the art world.
Challenges in cultural leadership
The director of the National Portrait Gallery reveals current issues in leadership.
Sustainable, local design
Turning waste from one creative business into another.
Bringing life to the dark: Audio description
Theatre audio description is 'a cross between poetry and live broadcast'.
Stringing along a career: Guitar technician
"Deptford John" Armitage enjoys a lucrative guitar tech career.
Under the sea and backstage with "Kursk"
People discuss their unusual paths into a theatre career.
Starting a design business
Damian Cranney describes how he started up Belfast consultancy Frank Design on his own.
Smart technology: The new crafts
Students from Goldsmiths' MFA programme in Computational Studio Arts describe their work in this new field of study.
Production Manager, National Theatre
Katrina Gilroy describes how and why the role of production manager has changed.
Sound Operations Manager, National Theatre
Borneo Brown talks about why theatre sound engineers need both theory and experience.
Lighting Operations Manager, National Theatre
Simon Fraulo discusses big changes in technical theatre roles over the years.
Michael Wolff
Michael Wolff, founder of Wolff Olins agency and a leader in the world of design and branding, discusses his interests and issues with designer Seb...
Project-managing a career in theatre
A young assistant project manager and a performance projects manager talk about starting their careers behind the scenes.
One museum, many careers
Four people at the Derry City Council Museum Service discuss their roles in management, education, archives and genealogy.
Songwriter, performer, wheelchair user
Eugenia Unique discusses her activism to bring other disabled artists to the mainstream

Working together to improve local arts

How the Plymouth Visual Arts Consortium is developing the arts sector in the southwest.

Transcript

Oliver Flexman: "I work for PVAC, which is Plymouth Visual Arts Consortium. It's a network of eight organisations who've been together for the last few years, and we work together collaboratively to develop the capacity and the resources for the visual arts sector in Plymouth. It's a case of sharing resources, sharing expertise across the city -- Plymouth is quite small, so we can match the ambition of the city, which is quite large. So sharing resources and pooling the elements that we have, we can achieve much more. So that was the general premise of it.

"We're finding that it has a big impact in the curatorial decisions, the connections with other organisations outside Plymouth which we probably wouldn't have had, the level of exchange is improving, and certainly it strengthens our ability to fundraise across the city.

"The obvious issue has to be funding or the uncertainty about funding over the next few years, and that permeates through all layers. We struggle because we don't have particularly long contracts in lots of cases and you can't be assured that the playing field is going to be the same next year. So a lot of work is done in good faith that it can be followed through, so that level of uncertainty makes life difficult.

"The southwest is getting better at retaining artists. There's been a good level of artists who've moved out of London or moved back to the southwest, but the biggest challenge is keeping artists down here and providing resources and support for them to develop proper careers, and a lot of work goes into that.

"Plymouth will be hosting the British Art Show in 2011, which is great, because that's galvanising the network, galvanising different partners who the arts organisations in the city perhaps don't have very strong relationships with, which can be built for this particular project. So it's a step change for us for audience development and capacity building."

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